Unifying the variety of description annotated here, is a desire for a renewed, tangible, human contact with an actual and resistant world. Such an
asserts a narrative not bound by time.
Concerned with temporal location, human gesture and cinematic illusion, these works are presented as a common methodology, where the still photographer works much like a motion picture director.
One can insist this approach guide an expressive potential in the fictive space of our own lives.
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