Unifying the variety of description annotated here, is a desire for a renewed, tangible, human contact with an actual and resistant world.

Originally a thesis premise, an epic picture asserts a narrative not bound by time. Concerned with temporal location, human gesture and cinematic illusion, these photographic works are presented in a context of methodology, where the still photographer works much like a motion picture director.

One can insist this approach guide an expressive potential in the fictive space of our own lives.